Formatting as a book motivated me to work again on my ‘long’ (for me) story – shelved before last summer. That was the subject of my previous post. But it’s still not that easy.
What is slowing me down now is research, though internet makes that easier than it was in the past. I am firmly of the belief that setting a story in a location you do not know well is to invite scorn from readers who do know it well. I remember reading a much-followed blogger’s self-published novel set in Paris and it rapidly became clear to me that he had never been there or if he had only on a brief superficial visit (I have been several times but not enough to set a novel there). You might get away with it for a small anonymous town but Paris, never. Of course writers of fantasy might not have this problem but it is not a genre I enjoy so never read it.
(As an aside, if you do intend to make a visit to Paris in the near future be sure to read a post from Charlotte Hoather, a young soprano whose blog I have been following for a few years. She’s not a travel writer but it’s the best bit of travel writing I have read! I was tempted to jump on the next plane to the French capital.
1960s/70s London
Back to my story, working title ‘Miranda’. It is set in 1960s/70s London, when and where I not only lived and worked but became caught up in the several cultures rife at the time. So why do I need to research?
I’ll give two examples. Even with internet researching just these two things are taking a lot of time.
An important event in the story is when Miranda is taken to Covent Garden to see Nureyev dance with Margot Fonteyn. It was an actual, special, historic performance. I was at it (alone!) but I couldn’t remember the exact date; important for the sequence of the story to make sense.
What is more, for the occasion I wanted Miranda to wear a dress based on one designed I think maybe by Givenchy for Audrey Hepburn, a dress I could ‘see’ even after about 60 years. I had to be sure that the dress appeared before the Covent Garden event. I’ve not yet nailed this one so if any fashion buffs recognise the dress let me know please. It was gold, long with a short train and had little ‘droplets’ decorating the front.
Of course I, as a former journalist, enjoy the research and it leads me to many ‘unnecessary’ (from the point of view my story) but fascinating discoveries. It’s easy to lose a day, or more. And I have.
June 15, 2018 at 10:50 am
What you say about location is so true. A while back I read an American SF-ish thriller (better done than most) which had action in the US, London and Germany. I was impressed that the author had a really good feel for London and suspected he’d lived there for a while or visited it frequently. The German sections, though, could have been in any “developed” country.
April 24, 2018 at 9:08 pm
Oh do go to Paris if you get the chance, Spring is a lovely time to go and just sitting in the street cafès watching everyone walk by and guessing what jobs they do or if they’re tourists is good fun.
August 9, 2018 at 10:50 am
Some tourists have jobs too… This is like a variant of a game I play during the (football) world cup or European Championship: if this guy wasn’t a football coach, what could he plausibly be, from his appearance, body language and so on? The German Joachim Low is definitely one of those driven, honest, rule-bending, superior-offending, haunted detectives common in fiction. He could play Inspector Rebus, no problem (well, possibly the accent).
April 24, 2018 at 1:16 am
So true, research is vital for the reader to suspend belief so that they feel they are walking in the place and time with the characters.