Reading


A photo of the working cover showing a mini-skirted girl 'with attitude'

My first attempt at getting my story going again was to format it as a book (https://wp.me/pkm0h-1G9)

I’ve often said I cannot write (fiction) to order, only when my characters hassle me to be heard; getting up early, or staying up late, to write 1,000 words come what may, as so often advised, is a pointless activity for me. So my first novella/novel(?) – ‘A tale of unlikely love in 60s-70s London’ – has lain untouched for several months.

Yesterday morning my two protagonists demanded that I pick up my fountain pen and give them a voice again. Why, I do not know. They did not say much, half a chapter from only one of them before I had to leave home, but they were clear what they wanted to say, each demanding a new chapter to give more details of a close friend, a friend who had a major influence on our lovers’ relationship. More than that I do not know.

It’s not writers’ block

Some time ago I felt I had not let them say all they wished to say but their tale had stopped at around 30,000 words. I had the idea that they each wanted to say more about a friend mentioned in passing but they wouldn’t say more at that time. I put the idea of filling out two other characters to my blogging writer friend Kristina Steiner, who has just published the second novel in her trilogy; despite her support for the idea my characters wouldn’t say more. Until now.

Beginning as a short story

The tale began as a short story, prompted by a theme set in our writers’ club: ‘what if?’ The story resulting, no more than two or three hundred words, became a chapter as one character began to speak. Shortly after the other of the couple demanded to be heard, so another chapter flowed out of the pen. They each now seem to be settled on allowing one to speak to me without interruption, for a chapter, then keeping silent while the other speaks.

Initially, each chapter finished with ‘what if?’ but that became tiresome and was deleted. On the other hand, I am fascinated by the idea of a story having more than one ending – ever since reading ‘The French Lieutenant’s Woman’ when it was published during the era in which my tale is set. So my complete story became a ‘what if?’

Will my protagonists continue to speak? I don’t know but I would like to learn what happens to them. Hopefully, so will you if they do continue to speak.

 

 

 

 

It’s a long time since I bought paper copies of fiction books; it was more convenient to buy kindle editions and read them on the iPad. But my recent reversion to writing on paper with a fountain pen brought to mind the delight of turning real, physical pages.

Second edition of a “contemporary romance”

First a blogging writer I now regard as a distant friend launched the second edition of her “contemporary romance”, Equinox. This genre of novel is not my cup of tea (though it did appeal to my ‘feminist‘ side) but as she said that she’d made some changes (I read the first as a kindle edition) I wanted to read it to see what those changes were so I bought it on paper. I haven‘t had time to read this second edition yet; I don’t feel I can ‘review’ it as it’s not my kind of book.

From the cover notes: ‘But everything changes when they lay eyes on each other and their attraction takes them by storm. Soon, they find themselves in uncharted territory, their comfort and idea of selves threatened by needing what they’ve never wanted.’

Even if this genre of novel is not your cup of tea either I can recommend Kristina’s short short stories, published fairly regularly on her blog.

The Girl on the Train – ‘top notch’ thriller?

The second book recently added to my bookshelf is a novel I’ve wanted to read for some time: The Girl on the Train by Paula Hawkins. I bought it for £1 in a charity shop. Said to be a ‘top notch thriller’, it should have been very much my cup of tea.

However, as the plot is interesting it should have been intriguing but I just found it confusing. I didn’t like the way the story is structured; I didn’t like the writing; there is very little about the characters so you never feel you are beginning to know them so try to work out what will happen next – surely one of the appeals of a ‘thriller’; it is for me.

It is highly recommended by Stephen King but that probably puts a nail in the coffin for me – I cannot stand his books, even being bored by each one I’ve tried to read so didn’t manage many pages.