The inevitable 'group photo' after the performance - l to r: Jo, Sam, me, Kayla, Ruxandra, James, David, Bob, Johm, Martin and Sussi

The inevitable ‘group photo’ after the performance – l to r: Jo, Sam, me, Kayla, Ruxandra, James, David, Bob, Johm, Martin and Sussi

Youtube videos – over the past few days I’ve gained a lot of admiration for those who seem to roll them out regularly. Earlier I’d done a little editing of photos from our ‘performance’ at the Ilkley Literature Festival for my previous blog post. A doddle! But editing video is something else, for me.

Wanting to put titles, end credits, etc on the just over an hour of our writers’ club ‘performance’ at the Festival, I discovered I’d forgotten much of how to use my graphics program and video editor (2 years or more since I used them). An added complication was that one contribution to our ‘show’ (the first in order of appearance) had been entered into a competition for which rules state no previous publication or broadcast, so I had to take that out before making it ‘public’. Another cut had to be made for another reason so I had to work out how to make this not too ugly.

Superb flamenco guitar

If you appreciate superb guitar playing (Samuel Moore) it’s worth watching the video (our complete ‘performance’, with writers, lasted just about an hour).

Some good short stories

If you’re a writer you may enjoy our club writers reading their own pieces. If you want to avoid me reading mine (published in my previous post) I’m now ‘first up’ in the video as the first on the night has been cut at the writer’s request.

Of course I use only free programs, open source or those offering free basics but the possibility to pay for advanced facilities, which I do not. When in paid employment I used Adobe programs like Indesign, Photoshop and occasionally Illustrator, but I never needed to edit videos.

Scribus and NCH VideoPad

The graphics/publishing program I use now, Scribus, is excellent but rather quirky and with a steep learning (relearning) curve. Much the same can be said of the the video editor, NCH VideoPad. What I didn’t expect was the 2 hours 20 minutes to convert the VideoPad file (for a video of just over one hour) to something suitable for uploading to Youtube (.mp4). Maybe that’s down to my ancient MacBook. Even less expected was the 4+ hours to upload to Youtube (finally I went to bed and left it to it so it could have been much longer).

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The five ‘performers’ – Kayla, Ruxandra, Martin. John and Samuel Moore in front of the four paintings they evoked so well

Saturday was quite a day for me. Some pain I had throughout Friday carried over into Saturday and worsened but not only was I scheduled to support my writers’ club colleagues in a unique event, entitled ‘Evocation’, in Leeds Art Gallery, being also no less than ‘official photographer’, but later Petronela had booked into my favourite restaurant for my annual ‘birthday treat’. I was determined to enjoy both so employed mind over matter, helped by a few paracetamols, and had a wonderful day. I suffered on Sunday, matter overcoming mind with a vengeance, but I was happy.

I’m pretty sure the Leeds Art Gallery event was unique. Each writer first read a story or poem – about 5 to 6 minutes – which one of four pictures, very different, but in close proximity, had evoked for them. Each reading was followed by an interpretation, of not only the picture but also the ‘story’ from the writer, by a wonderful flamenco guitarist Samuel Moore.

There had been a rehearsal in the club but I studiously avoided this so the experience was absolutely fresh for me. What an experience it was too: the stories from the writers were little short of brilliant and Sam’s musical evocation was not only brilliant but emotionally moving. Perhaps because I have several copies of Sutcliffe’s famous (notorious ?) photograph of naked boys enjoying the sea at Whitby, I was particularly taken by the painting with a similar theme and when the music came I was bathing in sunshine, hot Spanish sun brought to an English scene through some astounding flamenco guitar.

The story doesn’t end here; in June stage 2 of ‘Evocation’ will take place with another four paintings in the gallery. For this event I will not be ‘official photographer’ but one of the writers, attempting to relate what a painting, Haynes King’s ‘An interesting paragraph’, evokes for me. I might need more than a fistfull of paracetamols.

Birthday treat at Emporio Italiana

This was the third time my ‘birthday treat’ has been dinner at Emporio Italia in Ilkley. This tiny restaurant, far from Ilkley ‘posh’, transports you straight to Italy. It’s not only the superb food but the atmosphere, complete with ‘waiters’ who know their food, explain each dish in detail and sing, adding to the hussle bussle you’d expect in their home country. There is no ‘menu’ as such, just what proprietor chef Luigi feels like cooking on the day, written on a large blackboard carried from table to table as required. I love it!

For the record, I had an extraordinary ‘tartino di pesce’ as a starter, salmon and prawns in a cream sauce under a cover of amazing potato mash with pork; my main was rabbit ‘coniglio alla cacciotora‘ – superb; finishing with delicious coffee and walnut tart. Petronela and I shared a bottle of house red, excellent.

Comical aside: to ensure we could get into this small restaurant Petronela booked the table way back, maybe February, and neither of us could remember what date we had booked – the Saturday before, the Saturday after or the day itself, Tuesday 15th. A panic telephone call on Friday established it was booked for the Saturday before.