I was recently nominated for ‘The blogger recognition award‘; I have never ‘accepted’ such awards because I’ve seen they can get out of hand and usually require ‘inflicting’ them on a number of other bloggers. However, though I cannot accept this one because I cannot bring myself to meet the first condition, to nominate 15 others bloggers for it (think of chain letters – 15×15=225 x15=3,375) and thus cannot say something about each blog nominated, another ‘condition’. However, I am going to take the opportunity to fulfil some other conditions, the first of which is to thank the nominator and give a link to their blog.

Kristina Steiner

So, thank you sincerely to Kristina Steiner (click her name to go to her blog) who I came to know recently when she gave a ‘like’ on a post of mine, subsequently finding that she was Slovenian, a teacher of English (as I have been) and had recently (one year ago) published a book. One of the things I love about blogging, the most loved thing after providing an outlet for an urge to write, is discovering new ‘friends’ – often in other parts of the world and in completely different cultures – when they put a ‘like’ on a post. I like to think that Kristina has already become a friend.

I’m saying no more about the novel, entitled ‘Equinox‘, publicly other than to say it has many surprising similarities (yet some big differences) to the longest story I’ve ever written but nowhere near a novel (still in progress – see my post of 2 April). I bought Kristina’s book and finished reading it a day ago. I’ve already commented to Kristina privately and will do so more. You can buy it on Amazon – a Kindle version is very cheap. 

The second requirement is to write this post and show the award. I don’t mind doing that.

How I started blogging

Third is to say how my blog started. That’s easy but may seem a little odd (but I am, I’m told!). I created the blog in 2008, four years after returning to the UK after 11.1/2 years in Romania – most of the time as a volunteer – because although I was writing a lot in PR work positions at that time I wasn’t writing everything I really wanted to write about. However, I did not start blogging on it until four years later when my frustration with British politics, and what British society had become in my absence, boiled over. However, I foresaw that this alone wouldn’t keep my writing urges satisfied for long when I created the blog, so gave it a subtitle of ‘A view from Yorkshire, about anything’, so breaking a basic rule if you want to collect a lot of followers: have a single theme. I never did intend to post every day, another advice for collecting a lot of followers, only when I wanted to get something out of my system. There have also been long gaps due to some serious health problems.

Two pieces of advice

Another ‘condition’ is to give two pieces of advice to new bloggers. I wouldn’t usually be so presumptious but:

I would say always follow up a ‘like’ on your posts, even if only to go to have a look at the ‘liker’s’ blog; in my opinion it’s just polite, something that is sadly much missing from society today. It seems to me that the easier communication has become the less people communicate in any meaningful way (Facebook, which I dislike, being a prime example). You will not always find the blog interesting; I often put a ‘like’ on a blog that I would not want to ‘follow’ as the theme is not of general interest to me but that particular post is. On the other hand, you will find many new ‘friends’ in many different cultures.

My second piece of advice is do not get too hung up on posting frequently, or even regularly. This is against WordPress advice and will mean your followers will build up only slowly. Post when you want, or need, to say something. I find that if something is bugging me it helps to write it down and get it out there; whether anyone reads it, let alone ‘likes’ it, is often irrelevant.

Writing in a foreign language

So, thank you Kristina; I love you already and wish you success with your book and the second which you say you have in the pipeline. I have tremendous admiration for anyone who writes in a foreign language and already follow a number of Romanian bloggers for that reason, even though I read and speak Romanian pretty well. I have special admiration for someone who writes a novel in a foreign language. So, Kristina, I’m delighted that you have already prompted me to learn a little about your country and reading your novel suggested some solutions to difficulties I had encountered in my story. It is a privilege to have begun to know you. Thank you. (more…)

Following what we deemed to be the ‘success’ of our winter story-telling in Ilkley Library last year we (our writers’ club, Writing on the Wharfe) repeated the exercise last Saturday but with Spring/Easter stories. Three of our new members were performing for the first time. There were some great stories, poems and a song – or two.

The 'team' pictured after the performance

L to R: Kayla, Becky, John, Emma, Roger, Ruxandra, David, Helen (thanks to Adam for the picture)

Great fun, good chats in the pub afterwards for some of us then more ‘fun’ in the park for a few of us (it was a spectacularly lovely sunny day, warm, more like summer).

Emma and Becky sitting on the grass in Ilkley Park after the meeting

Singer-songwriter Emma Nabarro-Steel and blogger extraordinary, Becky Bond, who brighten up our meetings with their wonderful talent

A chat with one of our new members in the pub showed me the path the protagonists in my ‘long short story’ might take and an ‘event’ in the park gave me an idea of how they might reach their destination, whatever that might be (I’ve written the beginning and the end, though it’s all in draft so could change).

I hope that I might receive some of the contributions from other members so I can post them somewhere so you can see them, but in the meantime I can only post mine, below, prompted by a comment from a member when planning, that “children should be introduced to new words”.


Maleficently

“I’m really fed up, cooped up here in the dark.” The voice was muffled in the cramped space.

“Oh be quiet, we haven’t been in here for very long, not a day yet, and we’ll be out soon then you know what will happen, don’t you? You’ll really have something to complain about.” The answering voice was very close, a soft, calming voice even if it was telling him off.

“Well, I wish I could at least see you. You do have a lovely voice.”

“That’s nice, thank you. So, would you like me to sing you a song to pass the time?”

“Oh yes please, I’d love that.”

“OK, now let me see, let me see … oh yes …

“Humpty Dumpty sat on a wall,
Humpty Dumpty had a great —”

“No, no, no, stop! Not that one, please, anything but that one.”

“I’m sorry, it’s the only one I know. What else could I do? Oh yes, would you like a limerick instead? I know a limerick, in fact I just made it up.”

“OK, I’d rather hear you sing but if you only have that song. You do have such a beautiful voice.”

“Well, I’ll try to sing-song it. Here goes …

“There once was an egg called Humpty
Very good looking but dumpty,
He sat in a box
Protected from shocks
Till he sat on a wall and —”

“Woah, stop, it’s going to be as bad as your song for sure!”

“Oh dear. How about a haiku then?”

“What’s a hi coo? Something a pigeon says?”

“No silly, it a very short Japanese poem, just three lines.”

“Alright, go on then, but nothing about sitting on a wall this time, please.”

“Right, let me see …

 “sitting in the dark
humpty   met girl in a box
fell in love   right there”

“That’s not a poem, it doesn’t rhyme.”

“A haiku doesn’t rhyme, it just has five syllables, then seven syllables, then five syllables. Lots of poems don’t rhyme. Do you know what a syllable is?”

“Of course I know what a syllabub is. My mum makes them all the time. Do you think I’m —”

A sudden burst of bright light, and excited voices of children, interrupted:

“Oh yes, they look perfect, I think I’ll choose this one, it’s a nice pale colour so I can paint it,” said one of the children, a girl about seven years old, as she carefully lifted her selection out of the box and put it in a white egg cup.

“The one next to it looks good for me,” said another voice, a boy about the same age. He lifted the adjacent egg out of the box and put it, not so carefully, into another egg cup next to the first one.

“Be careful,” said the girl, “you’ll break it if you’re so rough. So, what are you going to do with yours? Something nice for Easter?”

“I’m going to make it into Darth Vader, all black, with a big laser gun blasting everything to pieces.”

“Oh no, that’s not right. Anyway, I’m sure your’s is a girl. It’s mine that’s a boy.”

“OK, OK … I’ll make it Maleficent then.”

“Why do you always have to make everything nasty. I bet you don’t even know what maleficent means, do you?”

“It doesn’t mean anything. It’s just the name of the wicked queen in Sleeping Beauty. I like her, she’s got horns, which is perfect.”

“It does so mean something, it means something doing evil or harm to someone else. Do you really want that for Easter?”

“Of course I do,” the boy said, drawing the sword from the belt of his red soldier’s uniform and brandishing it wildly.

“Oh do be careful, it’s you that’s maleficent, not the egg. I’m going to make mine into Humpty Dumpty, with red trousers and a big smile.”

“Did you hear that?” the soft voice said, “I’m going to be a wicked queen and you’re going to be Humpty Dumpty. You know what happened to him don’t you?”

“I don’t care, it’s just nice to be next to you again and to see you. You’re just as beautiful as your voice”.

Before an answer could be made both eggs were lifted out of the egg cups and the children were working busily with paintbrushes, the girl with red, the boy with black. Soon they had finished, a jolly Humpty Dumpty in one egg cup, a menacing black queen with plasticine horns in the other.

“Come on, let’s go and hide them for the egg hunt,” said the girl, picking up Humpty Dumpty and running outside, followed by the little soldier with his dark queen.

“Let’s hide them behind the holly bush, you know, on that wall. They won’t be easy to find there, especially as it’ll be a bit prickly to get in there,” shouted the boy as he ran towards his chosen spot. The girl squeezed in behind him, placing Humpty Dumpty carefully on the wall. “Hooray,” cheered the boy. Drawing his sword and, waving it about, he knocked Humpty down, where he lay on the ground, his smile still beaming up at the children but his red trousers in a dozen small pieces.

“Don’t worry, I’ll fix him” said the boy as the girl began to cry.

“Don’t be stupid,” the girl blubbed through her tears. “If all the king’s soldiers and all the king’s men couldn’t do it, one stupid little soldier isn’t going to do it. I’ll go and make another, but you just go away, right away.” Stamping on the smile as she squeezed out of the space, she ran into the house and slammed the door firmly shut.

Now, If you looked very, very carefully at the evil queen up on the wall, you might have seen her smiling – maleficently!


Now children, I’ll let you into a secret, maleficently isn’t a word. I just made it up. But I think it’s a good word for the kind of smile you might see on that bad queen’s face, isn’t it? Can you say it? So, how did the queen smile?MA – LE – FI – CENT – LY.

Now here’s one for the adults:

CENOSILICAPHOBIA

or perhaps even better

CENOCYLICAPHOBIA

Either way:

Ceno – empty (as in cenotaph, an empty tomb)
Silica – glass, or Cylica – drinking vessel
Phobia – a fear of

So, at risk of offending any Greek scholars out there, fear of an empty glass, that Saturday evening feeling which prompts you to get to Aldi, pdq!

Drawing of a rose, with thornd

Drawing by blogger ‘mopana’, see below

Recently I began a story which currently stands at over 17,000 words. That’s a big jump from the maximum of around the 1,000, more usually a few hundred, I managed before. Even that number surprises me; I’m more likely to turn out a haiku or a 100 words, precisely. For some reason I like the discipline which those impose.

However, what I’ve found is that it is just the discipline which prevents me writing longer and for the first time I have understood why I’ve always been averse to attending any kind of creative writing course. Any kind of planning, or thinking too deeply about plot, characters or the like just makes me wrap up the whole thing quickly or abandon it. If nothing else, it just makes it boring, for me.

In our local writers’ club we are usually given a ‘theme’ on which to write for reading at the following meeting after two weeks. That has always resulted in something short from me, which is ideal as writing longer means there is time to read only an extract, which is never really satisfactory. However, one recent theme ‘What if …’ opened up so many possibilities that I found myself just writing and writing, with no plan, just waiting for the two characters (Miranda and Peter – M and P; where they came from I have no idea, or have I?) to ‘speak’ to me to tell me what was happening.

Blocked

I first became ‘blocked’ when they fell silent, at around 6,000 words. I’d written what I thought was the beginning and the end but felt the journey between the extremities was too short for my two characters. They had not enjoyed themselves, nor suffered enough, to satisfy me. They spoke to me no more but clearly wanted to carry on their journey. I decided to call on my fellow writers’ club members, though just a select few (I won’t say more other than that I’ve always had more empathy with women than men, as any regular reader of this blog may know), asking them to comment on a printed version. One responded almost immediately; with her suggestion in my head M and P began to speak to me again, telling me much more about themselves, so another 6,000 words was rapidly completed.

Stalled again at about 12,000. Then another club member gave me some notes handwritten on my script with some words of encouragement. Again, M and P began to speak, suggesting that they had a discussion about their star signs, so each would be able to see how the partner saw them and how they saw themselves. Another 5,500 words resulted, so now 17,500 in all.

Another suggestion was that an ‘observer’ who I’d introduced right at the end should have something to say earlier, now and then, to make the reader question whether they were in reality or fantasy. This fell into place quite readily and, I thought, much improved things.

No one has yet suggested the author/book from which I ‘nicked’ the idea of the outside observer but I know.

Anne Brontë

Throughout this process I did not know why I was compelled  to write the story or what the underlying theme was, though I had an idea that it was perhaps about the strength of women and the weakness of men. Throughout the writing, from the first idea, I had the feeling that the answer lay in a quotation which I could not recall though I spent long periods thinking about it. I had a vague feeling it was Emily Brontë but, having read her novel many times, could not think where it might be; in her poems perhaps? But no luck there either.

It came to me suddenly a couple of days ago. Not Emily, but Anne:

On all her breezes borne
Earth yields no scents like those;
But he, that dares not grasp the thorn
Should never crave the rose.

In a poem, The Narrow Way. I was rather annoyed that I had not been able to recall those last two lines earlier. They are the key, I think, to adding a few more thousand words, even perhaps finishing the story.

However, something even stranger, a remarkable coincidence (but I do not believe in coincidences!). A few hours later I was scrolling through the bloggers I follow and came across those same two lines in a post from a young Romanian woman, very young in comparison with me. What is more, she’d written a haiku to go with them (and her drawing of a rose, above). I find her blog refreshing, creative and entrepreneurial; you can go to it by clicking her user name: Mopana.

Music

Now, I cannot write in silence, so after hearing several authors interviewed on radio who felt the same, but many who did not, I was intrigued to find out what accompaniment my fellow club members used, if any, so tried to begin a discussion about it on the club Facebook (closed) page. So far only three have responded but of those two demand absolute silence, one is with me but the music, he says, is random. Mine is not.

Below is a picture of what has been keeping me company during my writing marathon. Some were there from the beginning. Some I added to jog my memory (one I even bought for this purpose) when I realised that I was writing about 1960s London. I have music mostly on LP, including many complete operas, but they are not really practical unless you just want to sit and listen.

It’s a motley collection you might think but it does reflect a part of my musical taste.

For the record, they are, left to right approx, Ella Fitzgerald with Count Basie; some operatic divas (as selected by Gok) – I posted about this recently; member of our writers’ club Emma Nabarro-Steel; Stephane Grappelli and Yehudi Menuhin; Schubert’s ‘Trout’ quintet; Sofia Vicoveanca (my favourite Romanian ‘popular music’ artiste, though she’s joined from time to time by a delightful young one I don’t yet have a CD of, so from internet, Andrea Chișăliță; the Brighouse and Rastrick brass band; one of several Beethoven string quartets, particularly the late ones, played by the Romanian quartet Voces; and Eric Clapton. There’s one missing in the photo as it’s on LP – Mozart’s clarinet concerto. If I had it I’d have Stephane Grappelli with Django Reinhardt in there too. What I select depends partly on mood, partly on what I’m writing about.

I’ve now realised I have a story in waiting behind every one of those music choices. Maybe I’ll write those stories sometime.

I’d be interested to hear about any other’s writing process, whether you like a music background or not and if so what and why or anything else about how you write. I am, of course, talking about writing fiction. Blogging is something quite different though, again, there’s no theme to mine; I just write about anything which takes my fancy as and when, the words spilling out like blood from a stuck pig rather than from a finger pierced by the thorn of a rose.

The author, Christmas morning 2016, with smoked salmon, scrambled eggs and champagne breakfast.

Breakfast, Christmas 2016

I’ve been following Cristian Mihai’s blog almost since I began blogging approaching five years ago. I was first attracted to it because of the excellent writing in English by a Romanian, having taught English in Romania for around a decade. Since then I’ve found other Romanian blogs written in excellent English covering one or more of the wide diversity of topics you would find on mine, which as followers will know, breaks one or two cardinal rules if you want a lot of followers: posting frequently, even daily, and sticking to a theme. As I also speak and read Romanian pretty well, though I’ve never cracked writing it well, I now follow quite a few Romanian blogs posting in just Romanian or both Romanian and English, though I was sad to see that after my long absences several seem to have ceased to blog.

I used to post fairly frequently, though never every day, but some serious health issues two and a half years ago meant that posting became very erratic, particularly as I was also attempting to keep up with editing, and blogging on, a site I created for the Yorkshire village in which I live.

Our 'music corner' at home, showing tv with Vienna New Year concert 2017, panpipes sitting on the Yamaha 'piano'

Vienna New Year concert 2017

So followers may well find me writing on any one of my major hobbies – music, photography (on film); food and cooking; my efforts at writing fiction or ‘poetry’, as distinct from journalism (which was my profession), and our local writers’ club formed and run here in Wharfedale by a Romanian (!); classic cars particularly my mini and vw camper; and a few others. Or my major hobby-horses which include: discrimination in any of its many forms; the beauty of Romania, it’s people, traditions and food, particularly my love affair with the Bucovina; the idiocy of politicians; my experiences with our superb National Health Service and its staff here in the UK and the determination of those in charge of it and successive Governments to destroy it; habitual use of certain ‘four letter words’; and again, a few others, including scrambled eggs! (I know, overuse of exclamation marks but perhaps merited here 😉 ).

So, you have been warned; I am not taking up Cristian’s reblogging offer to find a lot more followers, but just to give him a bit of support. Hence this introductory blog which will be the first I’ll be asking him to reblog. After that, perhaps a few of my past blog posts then one or two new ones.

This facility must surely be invaluable to those younger than me who wish to get better known and maybe make a bit of money out of their writing so it would be very sad to see it not continue. I have no such ambition. I write because I like to write – that’s all.

It’s been quite a while since I posted here, one of the problems resulting from running other websites/blogs of one sort or another. To keep the pot boiling (no, this is not one of my cookery/food posts!) I’m blogging here my contribution to yesterday’s meeting of our local writers’ club, Writing on the Wharfe. We had been set a theme, ‘reflection’ to write something. The situation out in the world, particularly Romania (not surprisingly) and the closeness of Valentines Day, really got me going! It’s the first time I’ve attempted a sonnet.

Response to the set theme ‘reflection’

haiku

leaves in still puddles
reflections of lost summer
rusted    yet to fall

A short short story (100 words)

Mia stared at her bedroom door, closed. Had she really been that bad? No tv, no mobile, no games for the evening; grounded for a week.

“Shit, shit, shit”, she said softly, delighting in the idea that if her parents could hear her it would mean another week’s grounding for sure.

At least they had not made her wash, she thought as she turned around. Wonderfully iridescent blue over long, painstakingly applied black lashes framed the bright saphire eyes regarding her, as brilliant red lips pouted for appreciation.

Smiling, she reached into her pocket …
for her mother’s Chanel Number 5.

Free verse

Rays of gold touch golden locks
Evening shrouds the muted bird song
Fading light illuminates a different vision
Lost memories emerging in gentle ripples
Even in the silence.
Cautiously, I feel for her hand
Tenderly taking it with a gentle squeeze;
Illusion comforts at such times.
One more reflection flickers; we were absorbed one in the other then.
Now, the lake is still, its duty done.

tanka

i saw you lovely
looking in a cracked mirror
quicksilver faded
too late I crossed the fractures
to reflect with you what might

Sonnet

Reflecting on the state of this sick world
I do retreat in love of those close by
When life its fighting flag has almost furled
I look upon what we have brought and sigh.
I leave the fight to those with whistles wild,
Some horns or signs with words both old and new,
E’en those who stand and wait with others mild
In cold, to show more silently their view.
When votes have failed or over-ruled by law
When corrupt men of state or wives deny
The truths so clear to those no less, or poor
Exponents of those truths rest with just “why?”
… I now do little more than pick up pen
… To scrawl my feeble protests now and then.

Blank verse

I know a grain of what I want to say
It’s how to find the words which makes me pause.
I would with love your heavy heart address
But fear my good intent be misconstrued.
The words, as rays from some distorting glass,
So oft bounce back, their meaning now corrupt.
I would not be so mute in other time
Thus quietly I just address your soul
And wait our paths to cross in future lives.

A wonderful end to the year on Saturday afternoon for our local (usually Menston based) writers’ club, Writing on the Wharfe, ‘performing’ with short stories, songs and poems in the intimate setting of Ilkley library.

Picture of all the 'performers' lined up after their performances in the Ilkley library, with book-fillwed shelves behind.

In the wonderful setting of Ilkley library, left to right: back row – Bob, me, Ruxandra, David, Catherine, Rich; front row – Alina, Emma, Dan, Becky. Sadly two valued members, Kelly and Marjorie, couldn’t make it.

Unfortunately I do not have the contributions available to post here or links to most though I did post my short story in a post recently and you can hear Emma’s wonderful Christmas song and buy it for £1 on bandcamp (should be No.1 in the charts in my opinion!). She also treated us to ‘In the bleak midwinter’, retaining Harold Darke’s melody but substituting her own lyrics, apart from a short spoken excerpt of Christina Rossetti’s original lyrics in the middle.

Becky, Ruxandra and David sharing a joke measuring something with hands

Picture of the day? Measuring what?

Click on any picture in the gallery below to see them larger as a slide show. Many thanks to Adam Nabarro-Steel for photo recording the event for us. Many thanks also to our wonderful ‘leader’, Ruxandra Busoiu, a remarkable young Romanian who founded the club and worked very hard to bring off this event and the previous one at Ilkley Playhouse.

Thanks also to the wonderfully supportive staff of Ilkley library who made this event possible. This library and those in my village of Menston and neighbouring village of Burley in Wharfedale had been scheduled for closure by Bradford Council. Against a background of  appalling illiteracy in the UK, especially in Bradford, libraries should surely be high on any local authority’s priorities. Thankfully, a lot of people from the local communities are now working to take them over and run them as Community Libraries. Let’s hope they succeed.

 

snowflakeShe’s done it again: our local writers’ club (Writing on the Wharfe) ‘leader’ has set us up to do another performance – spoken short stories or poetry and music. Even more ‘intimate’ than last time, in Ilkley library on 10 December afternoon – no stage, no microphones, no projector, no technology whatsoever. She set us the task of writing something original with a ‘winter’ theme. I’ve offered a tanka, rather than my more usual haiku, and a short story.


snowflakes in the rain
diluting their cold beauty
we wait for snowballs
like waiting for love letters
in a disrupted affair


Don’t touch

“Don’t touch me, please”.

Alicia snatched her finger back just before it touched the window, taking a few quick steps backwards and turning her head to see who had spoken. She had thought she was alone in the room but, where were they? She could see no-one. It must be that younger brother of hers, Ewan, she thought, but where on earth was he, and how did he speak with that delicate voice?

Was it someone outside? It didn’t seem likely as snow was falling fast and it was very cold, so cold that large snowflakes landing on the window did not melt but kept their beautiful, delicately intricate form. It was these that Alicia had approached the window to see more clearly.

“Don’t be frightened, come closer, but please don’t touch me”. The window itself seemed to be speaking. Alicia moved cautiously forward, a tentative step, then another.

“Oh, you can come closer than that”.

Where was that voice coming from? Alicia was a little frighted, but more curious so she shuffled half a step towards the window.

“Come on, just one more step, but be careful, don’t touch the window, not even with your nose”.

Alicia moved forward another step, now so close that she could see little more than one much larger than usual snowflake on the outside of the window glass.

“That’s better, now we can have a chat”.

Alicia’s eyes snapped into focus on the centre of the snowflake, amazed to see two bright eyes and a pretty rosebud mouth and realised that the speech was coming from that mouth, now smiling.

“You do look surprised”, the snowflake continued. “Can you hear me alright? I’d like to come inside for a chat but that’s not possible, it’s too warm”.

Alicia fought with the jumble of thoughts tumbling about in her head. Is she dreaming? Is she crazy? Finally she stuttered some words:

“Oh you are so pretty, a bit like some lace on my mum’s nighty, or some doilies at my gran’s, but I never knew snowflakes could speak”, said Alicia finally, struggling over her surprise. “And you have such beautiful eyes; I didn’t know snowflakes had eyes, or a mouth for that matter”.

“Oh, we can speak but we can choose whether a human can hear us. We only choose children, they seem much nicer than adults. Mind you, there are some pretty horrible children too. I was lucky enough to land on the window and saw you. You looked nice so I chose you. The double glazing is good as we don’t get warmed up so quickly unless you touch right where I am, but it does make it a bit more difficult to chat with you.”

“Do you chat to other snowflakes too”, Alicia asked.

“Oh yes. We chatter quite a bit when we are growing up, up in the clouds. Then we have some serious conversations on our way down because we know that usually when we land we are so packed together and there is so much noise we can’t hear anything. I was lucky today, landing on your window”.

“It must be lovely floating down as you large ones do”, Alicia said. “I just love to watch you”.

“Yes it is good, a wonderful feeling, and we get more time to chat, or sing. But it’s good to land on something like your window because when it eventually warms up, slowly, we quickly go back up again and, if we are lucky, rapidly grow up as snowflakes all over again. I hate it when I land in the sea; I can be there for thousands and thousands of years and it’s really boring. So I’d like to stay here as long as possible, please”.

“Oh yes, I’d like you to stay there forever”, said Alicia, “but anyway, for a long time”.

A noise behind made Alicia turn round to see Ewan had come into the room. “Who are you talking to, yourself? That’s crazy you know, my crazy sister”.

“I’m not crazy, I’m talking to a snowflake. It’s very interesting”.

“Now that’s really crazy” said Ewan, breaking into a sing song chant “My crazy sister, my crazy sister” as he came up beside her.

“I’m not crazy, look there it is and if you talk to it maybe it will talk to you. Come closer and see, but whatever you do don’t touch the window”.

The boy moved forward till finally he was standing right beside Alicia, looking suspiciously at the large snowflake now right in front of his face.

“Say something to it, but don’t touch … Don’t touch. Don’t touch the window Ewan”.

Alicia’s voice rose to a scream as he approached the window, adding a final despairing shout, “Don’t touch” as Ewan purposefully put a chubby warm finger on precisely where the snowflake rested, watching fascinated as its beautiful filigree blurred and a single tear fell, to disappear in the packed snow on the windowsill.